Through a Glass Darkly: Byrd's Verse Service as Reflected in Manuscript Sources
Identifieur interne : 000528 ( Main/Exploration ); précédent : 000527; suivant : 000529Through a Glass Darkly: Byrd's Verse Service as Reflected in Manuscript Sources
Auteurs : Craig MonsonSource :
- The Musical Quarterly [ 0027-4631 ] ; 1981.
English descriptors
- Entity :
- pers : Alec Harman, Byrd, Christ Church, Craig Mon, E. H. Fellowes, John Barnard, John Morehen, Magnificat, My Lady, Oliver Neighbour, Peter Le Huray, Philip Brett, Thomas Tallis, To, William Byrd.
- place : Cambridge, Durham, Ely, England, London, Oxford, St. Michael.
- Teeft :
- Abbreviated byrd, Accompaniment, Anglican source, Anthem, Bare bone, Bass line, Byrd, Cambridge university, Canonic fantasia, Cantiones sacrae, Chapel royal, Christ church, Consort, Consort song, Contrapuntal, Contrapuntal activity, Definitive study, Early music, External evidence, First half, Great service, Imitative, In part, Instrumental work, Keyboard music, More interesting, Musical quarterly, Nunc dimittis, Organ accompaniment, Organ introduction, Organ part, Organ score, Original accompaniment, Other hand, Out voice, Philip brett, Right hand, Scribe, Second half, Second thought, Second verse, Short service, Sixteenth century, Solo voice, Soprano line, Sundrie nature, Sweet eye, Tenbury, Tenbury accompaniment, Tenbury organ score, Tenbury scribe, Tenbury version, Tenor part, Third service, Time value, Verse anthem, Verse idiom, Verse section, Verse service, Viol, Vocal line, Vocal part, William byrd.
Url:
DOI: 10.1093/mq/LXVII.1.64
Affiliations:
Links toward previous steps (curation, corpus...)
Le document en format XML
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<term>E. H. Fellowes</term>
<term>John Barnard</term>
<term>John Morehen</term>
<term>Magnificat</term>
<term>My Lady</term>
<term>Oliver Neighbour</term>
<term>Peter Le Huray</term>
<term>Philip Brett</term>
<term>Thomas Tallis</term>
<term>To</term>
<term>William Byrd</term>
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<keywords scheme="Entity" type="place" xml:lang="en"><term>Cambridge</term>
<term>Durham</term>
<term>Ely</term>
<term>England</term>
<term>London</term>
<term>Oxford</term>
<term>St. Michael</term>
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<keywords scheme="Teeft" xml:lang="en"><term>Abbreviated byrd</term>
<term>Accompaniment</term>
<term>Anglican source</term>
<term>Anthem</term>
<term>Bare bone</term>
<term>Bass line</term>
<term>Byrd</term>
<term>Cambridge university</term>
<term>Canonic fantasia</term>
<term>Cantiones sacrae</term>
<term>Chapel royal</term>
<term>Christ church</term>
<term>Consort</term>
<term>Consort song</term>
<term>Contrapuntal</term>
<term>Contrapuntal activity</term>
<term>Definitive study</term>
<term>Early music</term>
<term>External evidence</term>
<term>First half</term>
<term>Great service</term>
<term>Imitative</term>
<term>In part</term>
<term>Instrumental work</term>
<term>Keyboard music</term>
<term>More interesting</term>
<term>Musical quarterly</term>
<term>Nunc dimittis</term>
<term>Organ accompaniment</term>
<term>Organ introduction</term>
<term>Organ part</term>
<term>Organ score</term>
<term>Original accompaniment</term>
<term>Other hand</term>
<term>Out voice</term>
<term>Philip brett</term>
<term>Right hand</term>
<term>Scribe</term>
<term>Second half</term>
<term>Second thought</term>
<term>Second verse</term>
<term>Short service</term>
<term>Sixteenth century</term>
<term>Solo voice</term>
<term>Soprano line</term>
<term>Sundrie nature</term>
<term>Sweet eye</term>
<term>Tenbury</term>
<term>Tenbury accompaniment</term>
<term>Tenbury organ score</term>
<term>Tenbury scribe</term>
<term>Tenbury version</term>
<term>Tenor part</term>
<term>Third service</term>
<term>Time value</term>
<term>Verse anthem</term>
<term>Verse idiom</term>
<term>Verse section</term>
<term>Verse service</term>
<term>Viol</term>
<term>Vocal line</term>
<term>Vocal part</term>
<term>William byrd</term>
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